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01 Children of the Universe
02 Slave to the Powerworld
03 Back on me
04 World knows your secrets - Virtuality
05 You gotta hold on
06 Am I digital?
07 Coast of tears
08 Black ash
09 Like a shadow
10 Cybersteria
11 You will find a way
12 Not Bound to the evil
The new Powerworld album proves unmistakably:

What was considered as Orwellian fiction back in 1984 has become reality in 2013 – the surveillance society. In times of Facebook and Skype, true privacy seems to exist only where exposure through the media is consistently rejected. “There’s almost a kind of hysteria when it comes to the Internet and digital pseudo-realities,” Powerworld mastermind Ilker Ersin explains the background of the band’s latest album title, Cybersteria, a combination – you might have guessed it – of the terms ‘cyber’ and ‘hysteria’. “Our new songs aren’t a concept album in the narrower sense, but as usual the whole album is held together by a central theme. This time the leitmotif is emotional impoverishment which is increasingly supported by the new media. At the end of the day, social networks have the opposite effect of what they suggest: they make people grow lonely.” Stirring words by a musician who has composed an album which is stirring in every respect, because Cybersteria presents that typical intelligent mélange of melodic heavy metal and progressive elements that we’ve come to expect of Powerworld.

The album’s opener ‘Children Of The Universe’, a brilliant piece featuring a powerful guitar riff and an intricately complex structure, is typical of this unique combination and refers to the global effects of the actions of every single one of us, be it in a media or a technical context. The subsequent ‘Slave To The Powerworld’ with its ambiguous title sketches in detail how powerful and at the same time merciless the world of the Internet has become. Ersin: “There have even been cases where governments were overthrown through the power of the Internet.” Cybersteria also holds a number of stylistic surprises in store: ‘Black Ash’ is unusually cheerful for this band, featuring consciously selected major chords which create a very individual, open atmosphere. Ersin: “Our roots are in the Blues, so we usually prefer minor atmospheres, but in this instance the major chords complement the melodic line perfectly.” And all those interested in finding out which direction this band is likely to opt for in the future will be able to find out more on ‘Coast Of Tears’, a skilful refinement of that typical Powerworld sound.

Talking of sound: Ilker Ersin produced and mixed Cybersteria at his MusikundWeb studios in Hirschaid near Bamberg, the album was mastered by Tommy Newton (Victory, UFO), and the instruments were recorded by Ersin, guitarist Andreas Rippelmeier, keyboardist Marco Grasshoff and drummer Guido Gallus. The biggest surprise: the vocal parts were recorded by Michael Bormann (ex-Jaded Heart), who stepped in at short notice for David Reece (ex-Accept, Bangalore Choir). Ersin: “It transpired during the recordings that David and I have different approaches which cannot be combined under the moniker of Powerworld. As a result, we decided to end our collaboration. There were no hard feelings between David and me, it was simply a decision by two grown men who agreed to follow their gut instincts.” In Michael Bormann, Powerworld have found an ideal replacement, particularly since Bormann had already successfully filled in during their most recent tour for former Powerworld vocalist Andrew McDermott, who suffered from ill health (he died in August 2011), and had also been scheduled as a choir singer on Cybersteria. “Michael did a brilliant job and even rewrote the lyrics with me. We’re not only totally thrilled, but also very grateful for his support.”

So the deed is done: Powerworld have created an awesome metal opus in Cybersteria which impresses musically and in terms of its lyrics, documenting beyond a doubt: never has an update of Orwell’s 1984 vision been presented more impressively in a metal guise.
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