TRACK LISTING:

CD1:
Shout At The Devil
Too Fast For Love
Ten Seconds To Love
Red Hot
On With Show
Too Young To Fall In Love
Looks That Kill
Louder Than Hell
Live Wire
Girls, Girls, Girls
Wild Side

Bonus enhanced video: Too Fast For Love

CD2:
Don`t Go Away Mad (Just Go Away)
Primal Scream
Glitter
Without You
Home Sweet Home
Dr. Feelgood
Same Ol`Situation
Sick Love Song
If I Die Tomorrow
Kickstart My Heart
Helter Skelter
Anarchy In The UK

Bonus Enhanced video: Dr. Feelgood



The Videos "Dr. Feelgood" and "Too Fast For Love" are available here as REAL-Video Stream:
"Video Dr. Feelgood"
"Video Too Fast For Love"


The Song "Dr. Feelgood" is available here as REAL-Audio Stream:
"Dr. Feelgood"

LINE-UP:
Vince Neil - vocals
Nikki Sixx - bass
Mick Mars - guitars
Tommy Lee - drums

MÖTLEY CRÜE - "Carnival Of Sins - Live"

Release:
8. Mai 2006 (EUR)
5. Mai 2006 (D)


Be warned! The story of the world’s most infamous rock band isn’t a pretty one. With the possible exception of Ozzy Osbourne, no band consumed as many drugs and downed as much booze without dying as the L.A. quartet Mötley Crüe. And now, the band you never thought you’d see live again is back. All the way back...

The story of their career, which the band elected to tell in graphic detail and with complete honesty in their NY Times best-selling 2001 autobiography, The Dirt (soon to be a major motion picture) is one of dirty needles, damaged minds, music industry battles and sex – lots of sex. And the miraculous thing about the Crüe is not that they lived to tell the tale (although that is, in a way, a kind of unholy miracle), it’s that all of their wildly uncontrollable habits are clearly audible in their music. Just listen to these albums, more than 40 million of which have sold worldwide. If you concentrate hard enough, you can hear the sound of the coke coming off the tables, the squeak of the bed springs, and the sheer sleazy grind of California rock over the last two decades.

In 1981 bassist Nikki Sixx left his glam-rock band London and met up with drummer Tommy Lee. Both were strung-out adolescents in search of good times and a record deal (in that order) and had a knack for creating fists-in-the-air anthems that parlayed their ability to play loud. Responding to an add in LA’s Recycler for a “loud, rude and aggressive guitarist seeking a band” placed by Mick Mars (who reminded Sixx of Cousin Itt from “The Addams Family”) and singer Vince Neil (who Mars referred to, perhaps unwisely, as a “blonde bitch” at their first meeting), the band named themselves Mötley Crüe (the umlauts were intended to make them look tough. Of course, as Vince Neil tells it, the idea came from a bottle of Löwenbräu) and recorded an album, Too Fast for Love, which was released in November 1981 on their own Leathür Records label. An insanely catchy, riff-driven record, TFFL turned rock fans’ expectations upside-down and ultimately led to the formation of an entire glam-metal movement based in Los Angeles. Without Too Fast for Love, there would have been no Bon Jovi and no Guns n’ Roses.

Picked up by Elektra, the Crüe released a string of classic albums in the ‘80s, beginning with Shout at the Devil (1983), controversial for its satanic reference, and Theatre Of Pain (1985), a slightly darker, more introverted record (perhaps stemming from Vince Neil’s car crash with Hanoi Rocks drummer Razzle, who was killed in the incident). However, Girls, Girls, Girls (1987) was as rock ‘n roll as anything they’d done before and, together with 1989’s enormous Dr. Feelgood (which also marked the Crüe’s wake-up call into rehab, after Sixx “died” from a heroin overdose and was revived with adrenaline), catapulted the band into the mainstream.

By the 1990s Mötley Crüe was a full-blown stadium act, with all the freedom (big production budgets, a string of models and porn stars) and hindrances (censorship issues, management and intra-band strife) that this entails. Neil left the band in 1992 and it was Scream singer John Corabi that provided vocals for the 1994 album Mötley Crüe, which attempted to match up to the angst and power of newer metal bands. However, by 1997’s Generation Swine, Vince was back and the Crüe’s fortunes revived, leading them to issue Greatest Hits (1998), Live: Entertainment Or Death (1999) and a rarities collection, Supersonic and Demonic Relics (also 1999). All offered a unique perspective into the life and work of the Crüe, with remixes, live and demo recordings, and unissued tracks all part of the package. By 2000’s New Tattoo, the band was working at full steam again, despite the departure of Tommy Lee, by then a tabloid star, thanks to his infamous home video high-jinx with his then-wife, Pamela Anderson.

Mötley Crüe is also one of the only bands in history to successfully acquire ownership of all their master recordings. In 2003 their wholly owned label, Motley Records, licensed their catalog to Universal Music and saw reissues of all of their albums as well as the first installment in their box set, Music To Crash Your Car To – Vol. 1, a four-CD set that is the first of three volumes chronicling the band’s storied career. Volumes 2 and 3 came out in the spring and fall of 2004, respectively. The first-ever greatest hits DVD on the band was also released in 2003, entitled Mötley Crüe: Greatest Video Hits.

All four members of Mötley Crüe came together recently to record three new songs, which are featured on the new anthology album, Red White & Crüe, released by Universal Music Group on February 1, 2005 The band’s autobiography The Dirt: Confessions of the World’s Most Notorious Rock Band, New York Times best-seller, is also being made into a major film, to be released next year by MTV Films/Paramount. Preparing to shoot the first-ever Mötley Crüe concert DVD with all four original members, the band will put most of its energy into its 2005 world tour, which begins in February in 30 U.S. arenas. Segueing to Latin America and festivals and arenas in Europe, they return to North America in August for an ambitious 43-city amphitheater tour before wrapping up the year in Asia, Australia and New Zealand.

How important is Mötley Crüe? Let’s just say that they made rock ‘n roll what it is today. Without the Crüe, stadium rock in the 1990s might have been all about Journey, Foreigner, Kansas and REO Speedwagon. Think about that for a second, will you?






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